Class: Thursday, 13.30-15 room 2.07
Assessment: 50% participation, homework assignments; 50% analytical note due end of May
Throughout history artists have borrowed elements from earlier works for use in new cultural contexts and applying new technologies. This class focuses on one particular example of such borrowings: Hollywood remakes of British films, filmmakers, and TV series, providing you with an insight into British cinema, Hollywood film, new media and cultural studies. Why do remakes have such a bad reputation? Are they a relatively new phenomenon? We will analyse recent critical discourse on remakes as well as look at a few case studies from a range of theoretical perspectives.
Week 1: introduction, Inland Empire, British cinema, Hollywood cinema; Death at a Funeral credit sequences – analysis
Week 2: screening UK Death at a Funeral
Homework: Watch US Death at a Funeral
Week 3: Remaking humour part 1: Death at a Funeral – discussion
watch clip 1
Homework: read 1) Intro from Remakes and Remaking: Concepts-Media-Practices (electronic book in the library) 2) copy on British Cinema 3) find out if Death and a Funeral 2x are in symbiotic or parasitic relationship?;
Week 4: Remake in theory. Death at a Funeral discussion. The Office TV series introduction.
Handout Remake Handout 1, Remake Handout 2
Homework: half a group watches the US then UK office, and the other half the other way round
Week 5: Remaking humour part 2: The Office 2x
Week 6: Remaking humour part 2: The Office 2x
The Office – summary Brent vs Scot
read Ricky Gervais on the difference between US and UK Office here
Homework: watch Alfie 1 & 2
Week 7: Remaking Caine: Alfie 1& 2
examine Alfie Posters
view critics’ top 100 greatest films (2012)
view directors’ top 100 greatest films (2012)
view the most recent list of the top 50 greatest films ever made (2016)
Week 8: Remaking Caine part 2: Alfie 1& 2
Week 9: screening The Wicker Man
Homework: watch the remake of The Wicker Man
Week 10: Remaking horror? The Wicker Man
Week 11: The Lady Vanishes (in class)
Homework: watch Flightplan, finish watching The Lady Vanishes
Week 12: Secret remake? Flightplan
Homework: 1) watch Psycho 1 and 2; 2) find one positive and one negative review of Psycho remake – respond to them critically (which one do you agree with and why?); 3) read pp. 58- 76 from Constantine Verevis’s Film Remakes (available as an electronic book in our library)
Week 13: Homage to Hitchcock: shot-for-shot Psycho 1 & 2
Week 14: Homage to Hitchcock: shot-for-shot Psycho 1 & 2
remaking cult movies, genres
remakes as sites for revisionist meanings
remakes vs. re-adaptations or updates
remakes in paratexts: DVDs, trailers, posters, etc.
remakes as parasite or symbiosis
remakes as a parody or hommage
the role of technology in the evaluation of the remake: blogging, user comments, amateur remakes, fanvids, mash-ups, recut trailers, etc.
originality, authorship, ownership
Suggested titles: Inland Empire, The Lady Vanishes, Flightplan, Alfie, The Wicker Man, Psycho, Death at a Funeral, The Office
Boyd David and R. Barton Palmer, eds. Alfred Hitchcock. Influence, Imitation, and Intertextuality. University of Texas Press, 2006.
Gray, Jonathan. Show Sold Separately. Promos, Spoilers, and Other Media Paratexts. New York, London: New York University Press, 2010.
Horton, Andrew, and Stuart Y. McDougal, eds. Play It Again, Sam: Retakes on Remakes. Berkeley: University of California Press, 1998.
Hutcheon, Linda. A Theory of Adaptation. New York and London: Routledge, 2006, 2012.
Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York and London: New York University Press, 2006.
Tryon, Chuck. Reinventing Cinema: Movies in the Age of Media Convergence. New Brunswick: Rutgers University Press, 2009.
Verevis, Constantine. Film Remakes. New York: Palgrave Macmillan, 2005.
Remakes and Remaking : Concepts – Media – Practices, 2015 (electronic book).
Zanger, Anat. Film Remakes As Ritual and Disguise: From Carmen to Ripley. Amsterdam UP, 2006 (electronic book).